Additionally, there is a long history of fashion in West Africa. Cloth was used as a form of currency in trade with the Portuguese and Dutch as early as the 16th Century. Locally produced cloth and cheaper European imports were assembled into new styles to accommodate the growing elite class of West Africans and resident gold and slave traders. There was an especially strong tradition of cloth-weaving in Oyo and the areas inhabited by the Igbo people.
In eastern Indonesia, both the production and use of traditional textiles have been transformed as the production, use and value associated with textiles have changed due to modernization. In the past, women produced the textiles either for home consumption or to trade with others. Today, this has changed as most textiles are not being produced at home. Western goods are considered modern and are valued more than traditional goods, including the sarong, which retain a lingering association with colonialism. Now, sarongs are used only for rituals and ceremonial occasions, whereas western clothes are worn to church or government offices. Civil servants working in urban areas are more likely than peasants to make the distinction between western and traditional clothes. Following Indonesia's independence from the Dutch, people increasingly started buying factory made shirts and sarongs. In textile-producing areas the growing of cotton and production of naturally colored thread became obsolete. Traditional motifs on textiles are no longer considered the property of a certain social class or age group. Wives of government officials are promoting the use of traditional textiles in the form of western garments such as skirts, vests and blouses. This trend is also being followed by the general populace, and whoever can afford to hire a tailor is doing so to stitch traditional ikat textiles into western clothes. Thus, traditional textiles are now fashion goods and are no longer confined to the black, white and brown colour palette but come in array of colours. Traditional textiles are also being used in interior decorations and to make handbags, wallets and other accessories, which are considered fashionable by civil servants and their families. There is also a booming tourist trade in the eastern Indonesian city of Kupang where international as well as domestic tourists are eager to purchase traditionally printed western goods.
Modern Westerners have a wide number of choices available in the selection of their clothes. What a person chooses to wear can reflect his or her personality or interests. When people who have high cultural status start to wear new or different clothes, a fashion trend may start. People who like or respect these people become influenced by their personal style and begin wearing similarly styled clothes. Fashions may vary considerably within a society according to age, social class, generation, occupation, and geography and may also vary over time. If an older person dresses according to the fashion young people use, he or she may look ridiculous in the eyes of both young and older people. The terms fashionista and fashion victim refer to someone who slavishly follows current fashions.
In the mid to end of the 1900s, African American style changed and developed with the times. Around the 1950s is really when the black community was able to create their own distinct styles. The term “Sunday attire” was coined, communities emphasized "Correct" dress, it was especially important when "stepping out" for social occasions with community members, a habit that continues in the early 2000s. Hair-dos and hairstyles also became a fashion statement, for example the "conk" which is hair that is slightly flattened and waved. Afros also emerged and they were often used to symbolize the rejection of white beauty standards at the time. Around the 1970s is when flashy costumes began to appear and black artists really started to define their presences through fashion. Around this time is also when movements started using fashion as one of their outlets.
Suggestions: There appeared to be only one line about Michelle Obama in the post. I felt the post title was a bit misleading, because it suggested it was more J. Crew and Michelle Obama, not J. Crew and the blogger. While the post title is great, a misleading post title can turn off new readers. I would suggest personalizing this post title, “How Michelle Obama turned me onto J. Crew”
Building brand awareness and credibility is a key implication of good public relations. In some cases, great hype is built about new designers' collections before they are released into the market, due to the immense exposure generated by practitioners. Social media, such as blogs, micro blogs, podcasts, photo and video sharing sites have all become increasingly important to fashion public relations. The interactive nature of these platforms allows practitioners to engage and communicate with the public in real time, and tailor their clients' brand or campaign messages to the target audience. With blogging platforms such as Instagram, Tumblr, Wordpress, and other sharing sites, bloggers have emerged as expert fashion commentators, shaping brands and having a great impact on what is ‘on trend’. Women in the fashion public relations industry such as Sweaty Betty PR founder Roxy Jacenko and Oscar de la Renta's PR girl Erika Bearman, have acquired copious followers on their social media sites, by providing a brand identity and a behind the scenes look into the companies they work for.
You hit up your friends for help. For example, when I did a site redesign a few year ago, I asked for help with the overall color and feel. I told them I’d do the work, I just needed their opinion. My friend helped me perfect the site’s color scheme and the feel of the layout. Also told me stuff like “that image needs to be sharper…don’t resize, save in the right format, etc.”
^ Wright, M. (2011). How premium fashion brands are maximising their social media ROI. Mashable. Retrieved from www.mashable.com/2011/02/11/fashion-brands-social-media-roi/ in Cassidy, L. & Fitch, K. (2013) Beyond the Catwalk: Fashion Public Relations and Social Media in Australia, Asia Pacific Public Relations Journal, vol. 14, No. 1 & 2, Murdoch University.
I think what is missing in the blogging world is passion for experimenting! For me is not so much a design beautiful, like a mental shock, something crazy that makes you shake. The absurdity is able to move brains. The impudence is capable of stirring mountains. The best way to do something different is expressing your truth, knowing yourself, because everyone is different. One idea: put an artist in your life!: Squeeze all the fruits that have the reach, naked but dressed, and enjoy putting your juice in the network…
In fact, Thomas’s connection with fashion stems, in part, from her personal biography. — Anne Showalter, Smithsonian, "The Fierce Pride and Passion of Rhinestone Fashion," 9 Aug. 2019 Since Palmer started hosting the show last year, she’s spoken to leaders and influencers, in industries that run the gamut from culinary arts and fashion to Hollywood and politics. — Renee Morad, NBC News, "The podcast that's inspiring women to pursue positions in leadership," 8 Aug. 2019 For older students, animal prints can be used to make a bold fashion statement such as in a leopard print dress or cheetah print pants. — Tyra Mcclung, courant.com, "Back to school in style: Here’s what’s trending this fall," 7 Aug. 2019 Anything But Classic Chanel is a fashion house known for many things, but its quilted purses are its most sought-after pieces. — Christian Allaire, Vogue, "Kylie Jenner’s Chanel Bag Is Anything But Classic," 5 Aug. 2019 More head-turning pieces are piled on top, including dramatic chandeliers collected through the years, porcelain vases from China, 1920s privacy screens, and even textiles from the Louis Vuitton fashion house. — Chadner Navarro, Condé Nast Traveler, "A New Hotel Is Embracing the Laid-Back Eastern Side of the Algarve," 26 July 2019 Designer Giorgio Armani, the sole shareholder of his eponymous, 41-year-old Italian fashion house, is streamlining the far-reaching company, in reaction to sales falling for a third year. — Robert Williams, Fortune, "Giorgio Armani’s Restructuring his Fashion Empire," 26 July 2019 Givenchy is the nephew of the fashion house's founder, Hubert de Givenchy. — Carrie Goldberg, Harper's BAZAAR, "Scarlett Johansson's Engagement Ring Is One of The Chicest We've Ever Seen," 24 July 2019 Shortly after, the fashion house and Dapper Dan began working together on a line, and a collaborative collection between the two debuted in 2018](https://fashionista.com/2018/07/gucci-dapper-dan-collection-clothing-accessories). — Lauren Rearick, Teen Vogue, "Dapper Dan Addressed Why Black-Owned Fashion Brands Don't Get Support On “The Breakfast Club”," 12 July 2019